The Human and the Non-Human in Ze života hmyzu by the Brothers Čapek: Contexts, Scheme, Interpretation
![How the Vixen lost its mores: gesture and music in Janáček's animal opera | Cambridge Opera Journal | Cambridge Core How the Vixen lost its mores: gesture and music in Janáček's animal opera | Cambridge Opera Journal | Cambridge Core](https://static.cambridge.org/binary/version/id/urn:cambridge.org:id:binary-alt:20160626121935-83859-mediumThumb-S0954586711000176_fig2g.jpg?pub-status=live)
How the Vixen lost its mores: gesture and music in Janáček's animal opera | Cambridge Opera Journal | Cambridge Core
![Public Domain Day 2019: A Reader's Guide to Paul Selver's Translation of Karel Čapek's “And So Ad Infinitum” – Francis Bass Public Domain Day 2019: A Reader's Guide to Paul Selver's Translation of Karel Čapek's “And So Ad Infinitum” – Francis Bass](https://francisbass.files.wordpress.com/2018/12/Solifugo_XIX.jpg)
Public Domain Day 2019: A Reader's Guide to Paul Selver's Translation of Karel Čapek's “And So Ad Infinitum” – Francis Bass
The Human and the Non-Human in Ze života hmyzu by the Brothers Čapek: Contexts, Scheme, Interpretation
![The World We Live In (The Insect Comedy); a play in three acts with prologue and epilogue by Josef and Karel (adapted and arranged for the American stage by Owen Davis) Capek - The World We Live In (The Insect Comedy); a play in three acts with prologue and epilogue by Josef and Karel (adapted and arranged for the American stage by Owen Davis) Capek -](https://d3525k1ryd2155.cloudfront.net/h/193/789/1329789193.0.m.jpg)